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Sunday Story: The Peglegged Man

by Kevin Rush

It was a muggy August, culminating in heat lighting, as my father called it. There was no thunder or rain, just electrum threaded through dark clouds and pulsing madly. My father raised an eyebrow and pursed his lips. “Hardly natural,” he said, staring out the window from under a furrowed brow. “Very odd.”

 And odd is what I thought when he first showed up, not long after. Baseball was our game then, in early morning or late afternoon, working around the heat. He didn’t say anything to any of us; he just gimped along until he reached the third base bleachers and took a seat a few rows up, his stiff, dead limb extending into the aisle. Despite his frail appearance, he seemed to have a fire inside that might erupt. He didn’t call to any of us as we warmed up, and we all hoped he’d just sit a while and move on, and not be one of those old men who rail angrily at kids, because they’re the only part of the world that hasn’t stopped listening.

But before even getting to the peglegged man, since that’s what he called himself, I should mention getting down to the park, and stopping off at Tommy Weir’s house first. He had gone in, saying he just needed a minute, and that minute turned to ten, so we rang for him, and his mother let us in.  

Tommy was at the dining room table, packing up the Wonder Pen woodburning kit he’d gotten for his birthday. A noisy fan sat on the table wafting smoke towards an open window. Tommy’s bat and glove sat on a nearby chair. He picked up the bat and rubbed the barrel with a cloth.

“Check this out,” he said proudly. Stenciled along the barrel of his bat was the name Lou Brock. He’d done the same thing on the back of the last finger of his fielder’s glove.

“Whoa, that’s swift,” Billy Conor said.

“What do you say, Pat?”

selective focus grayscale photography of baseball
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I didn’t want to answer. It just wasn’t what I would have done, if my parents had given me a wood burner. It looked all wrong to my eyes. A name on a bat was always in handwriting, like an autograph. Tommy had done his in thick blocks, in 3-D, like the cover of a comic book.

“Is that Lou Brock or Superman?”

“I had to cover up Roger Maris.”

“Doesn’t look official.”

“Paddy, are you passing home?” Mrs. Weir called from the kitchen. “I have something for your mom.”

So, I went to the kitchen and Mrs. Weir was packing cherry tomatoes from a basket into a brown paper bag. “I know how she loves these, and we had so many ripen this week, they’ll just spoil. Here take them to her.”

She held out the bag, holding it, then tilting her head to prod me.

“Thank you, Mrs. Weir,” I said, and she handed me the bag, but didn’t let go.

“You know, Tommy worked hard on that bat. It would have been kind to say something nice.”

Why are mothers always spying? I thought. Maybe I wouldn’t have to “be kind” if her son knew how to draw. Give me a Wonder Pen and I’ll show you how it’s done. But she was one of these mothers whose kids could never do wrong. So, I didn’t say anything, just nodded and skulked out.

We picked up the other kids from the block and I dashed up my steps to my house to drop off the tomatoes.

“From Mrs. Weir,” I told my mother.

“I hope you thanked her. Maybe if you did a little work around here, our garden could grow. But it’s always baseball. The national waste time.”

So, I was not in a good mood when we finally reached the park and started choosing sides. The peglegged man seemed to take a keen interest in the choosing, as if he knew our abilities. I thought I heard him mutter the word “slaughter” dismally. Yet, the game kept his interest for at least four innings. That was when I doubled down the line in leftfield and saw him standing when I got to second. Tommy stepped up next, bringing his bat to the plate for the second time. Earlier, he’d struck out flailing wildly at a pitch in the dirt. That had triggered a round of jeers, how he burned all the hits out of his bat. As he took his practice swings, I could see a ferocity in his eyes; his pride was on the line. So, when Terry Sullivan left a pitch over the heart of the plate, Tommy punished it. The return drive nearly parted Terry’s hair before screaming into short center field.

sports equipment on grass
Photo by Tima Miroshnichenko on Pexels.com

I knew I’d have to burn home, because the ball reached the centerfielder quickly. I tried to slide past Jim Lundy, who was in front of the plate, but the ball came in perfectly on a hop for him to sidestep and plant a foot in my path. My foot hit his shin guard and I felt my ankle roll. Pain shot all the way up my leg. I rolled over on my back and gripped my knee to my chest.

“Time! Time out!” my teammates called.

Both teams gathered in a close circle.

“You think it’s broken?” Tommy asked.

“Dunno.” I had never broken anything.

“It’s not broken,” the peglegged man said, as he clomped down from the bleachers.

“Who’s that?” boys asked me, deciding then that I was connected to him.

“He just needs to walk it off,” the old-timer assured us. “Put this on.” He handed Tommy an ace bandage.

“Me?”

“You know first aid, don’t you?”

Tommy nodded, no doubt wondering how the old man knew or if he’d just assumed.

“Wrap it tight.”

So, Tommy untied my sneaker and peeled off the shoe and sock as delicately as he could. A grapefruit was starting to grow on the outside between the ankle bone and the heel. Then Tommy noticed something I was kind of shy about.

“What’s that, a tattoo?”

“Looks like a flock of birds,” Lundy said. Which wasn’t inaccurate. Inside my shin was a cluster of freckles in the shape of an open vee, like ducks heading south.

“It’s a birthmark,” I groaned, as Tommy tightened the wrap. He worked quickly, and when the bandage was clipped in place, he pulled my sneaker back on and laced it up. Then Lundy helped haul me to my feet, and I tested if I could walk. That seemed like not a good idea. I was done, but the game went on with unbalanced sides.

Lundy, maybe feeling a little guilty, hoisted me in a fireman’s carry over to the bleachers. He plunked me down where the old man had been sitting, but he was nowhere around.

I hobbled on crutches for a couple of days, but within two weeks, my ankle was pretty normal. Our game then was football. Fall was in the air, which not only meant a slight chill and longer shadows cast by a lower sun, but fragrant smoke wafting from one direction or another. Maintenance crews raked small piles of leaves onto the paved paths and lit them on fire. I liked to watch those fires, especially when the breeze would pick up, sending sparks whirling into the air. Sometimes after our game, I’d sit with one or two friends on a bench; breathe the smoke like incense from church and talk about what we were going to do in school the next day or when we grew up.

We wouldn’t meet at the diamond now, because the outfield grass was either too clumpy or bare and the infield was all clay, so you could get scraped up. We met closer to the park’s side entrance, where there was a broad, flat lawn with thick grass that cushioned the ground. We played tackle without helmets or pads, which we eagerly accepted as a test of manhood. We were fearless in the trenches and in the open field, throwing our bodies at each other as if we were invulnerable and immortal. The only thing anyone feared was holding for the kickoff.

“I’m not gonna kick your finger, Teddy!” Lundy roared.

The rest of us had seen this coming. None of us wanted to hold, because we’d be last to get downfield and miss out on the play. Still, you can’t take the most jittery kid in school and expect him not to flinch when it looks like you’re about to kick him. But Lundy seemed to figure if he could bully the kid into holding, he could bully him into holding still. After two tries, where Teddy pulled his hand away and the ball toppled over, Lundy was red-faced and ready to punish.

“Why don’t you use a tee?” a hoarse voice called.

The peglegged man took a hand from the pocket of his peacoat and hurled a piece of white plastic high into the air. It spiraled and fluttered, bouncing a foot or two from Lundy, who snatched it up and mounted the football on top.

“Thanks, mister!” he called, and several boys echoed.

The game commenced with abandon, but was scoreless after several possessions, until Lundy hit Tommy Weir on a short crossing pattern. Tommy grabbed the ball in stride and from there no one could catch him. He showed why even the older kids were starting to call him “The Live Wire.” A bunch of our guys ran to him in the endzone and celebrated. I felt like I was watching on TV, not really a part of it, but wishing. That’s when the county cops rolled up with lights blazing.

“How many times we have to tell you kids not to play here?” an officer barked from the driver’s seat. “Get down to the diamonds where you belong!”

“This grass is better!” someone yelled.

“Only ‘cause it don’t have you little snots running all over it,” a second cop said.

“Or cop cars!” Lundy yelled and some of the boys laughed.

“Now you wanna get smart? Move it, or we’ll run you all in!”

“Why don’t you just leave these boys alone?” Red-faced with fury, the old man gimped over to the patrol cars and laid into the cops. “You should be protecting these boys, not harassing them! They’re not hurting anyone! Why don’t you run off the glue sniffers under the bridge? Or those teen gangs spraying graffiti everywhere? These boys aren’t doing anything!”

“Look, Pops, they got no right—”

“They’ve got a right to be safe,” he insisted. “And you need to protect them!”

The cops eyed one another, not sure how to handle the angry codger.

“Where were you when I lost my leg?” the old man demanded. “Exactly their age, and a pair of teenagers pushed me into a pile of burning leaves. Right over there, under that oak. They thought it was funny! My pants caught fire and they ran away, leaving me. Where were the cops then?”

“Look, mister, that’s before our time. Take it up with City Hall. You kids break it up and move along.”

“Before your time. Hell,” the old man muttered.

It was almost dinner time anyway, so we grabbed our jackets from the sidelines and started off towards home.

“Paddy,” the old man called. “Paddy Seymour!”

I stopped and waited for him to hobble over. He shooed Tommy away and leaned in to speak quietly.

“Don’t play tomorrow,” he said. “Do something else. Friday you can come right back out here. But it’s going to be bad if you play tomorrow. Will you promise me, Paddy?”

Why me, I wondered, and how does he even know me? But a lot of old people in town knew kids by their families even if they never met. Plus, I saw the pleading in the old man’s eyes. They were faded blue with age, but spiked with veins of red, and I thought he might weep if I defied him.

“Okay,” I said. He thanked me and hobbled off.

“What was that about?” Tommy asked.

“I don’t know.”

I kept the old man’s warning to myself that night and all through the morning at school. Then after lunch recess, Lundy told us the other fourth grade class had challenged us to a game at 3:30 in the park.

“We need everybody to show up!” he barked. “No excuses!”

The room exploded with grunts and cheers and fists pounding on desks, until the teacher demanded quiet. Tommy leaned toward me across the aisle.

“You’re coming, right?”

“Yeah, sure,” I said, forcing the words past a huge knot in my throat.

“Don’t be scared of the cops,” Lundy said on the walk home.

“I’m not.”

“What then? Can’t be Stranburg. I’ll  handle him.”

“Why would I be scared of Stranburg?”

“Look, Seymour,” he said. “If we gotta play short, or we gotta match Teddy against anybody good, we’re done. So be there, or so help me, I’m gonna pound you the next time I see you. An’ every time after that.”

That settled my mind against going. I didn’t know what the old man meant, and I didn’t expect a run-in with the cops. But I didn’t like some bully telling me what to do, even if it cost a fat lip. Then I thought of the other boys I liked better than Lundy. They were counting on me, too. So, I changed into my play clothes and trotted down towards the park. I’d be a little late, but wouldn’t miss much.

When I spotted the stone gateway on Garrison Avenue, I kicked into a sprint and was about to break an imaginary tape when out of nowhere stepped the peglegged man. I skidded on my heels to a stop.

“I knew you wouldn’t listen, Paddy,” he said, “but I can’t let you pass.” His eyes were blue ice in a bed of hot coals. “Me being here is a gift. Don’t you see, I’m trying to save you.”

“I don’t know what you’re talking about.” I looked past him and tried to skirt around. But he cuffed me by the hood and held me there.

“I need to show you something. After, you make up your mind.”

He let me go and stepped toward the gray stone post.

“One day, I came here to play football. The cops ran us off the field, so we took our game down to the diamonds. Along the way, a friend punted the ball off the side of his foot, and it went skipping down the path away from where we were heading. I ran the ball down and grabbed it before it rolled into a leaf fire. When I turned around, three bigger boys were blocking me. They demanded the ball, and I wouldn’t give it up, so they started pushing, until one pushed me into the fire. My pants leg burst into flame. I lost my leg that day.”

He lifted his wooden leg up with two hands wrapped around the thigh, and the foot rested on a ledge in the post.

“When I got fitted for the leg, a friend came over with his woodburning kit, and he etched this mark in it.” He rolled down a worn sock revealing a dark, wavy line scrawled across the shin, like an open vee, like birds flying south. “I’ve put it on every leg I’ve owned since.”

“Who did that?”

“You know who. Tommy Weir.”

“But that’s…”

“We’ve been given a gift, don’t you see?” he cried. “I prayed like a madman for this. And I had a vision; don’t know if it was an angel of God or Satan himself, but I got a chance to come back and warn you.”

“I gotta go,” I said, though I couldn’t move.

“You gotta go home, Paddy,” he implored. “You don’t want to know what it’s like growing up half a man. The pegleg boy. Nobody cares anything else about you; you’re the kid with the stump. While Tommy Weir gets a track scholarship and runs in the Olympics. Go home, Paddy. Come back and play tomorrow. Don’t waste this gift.”

I thought maybe I could be careful and not go near the fires. But I suspected if I crossed the threshold, I’d be daring fate, and I’d surely lose. I searched his face, studying every crease, every pore, the way the thin skin hung from the bones, and wondered if that really could be me. A thousand years of wind and rain and scorching sun wouldn’t so hollow my plump cheeks or thin my hair or sag my neck in folds. I was looking at impossibility itself. But if there was any chance that fire would melt my flesh and char my bones, that I’d lose a leg up to my knee. I couldn’t take that chance for anything. I backed away, and ran as fast as I could home.

I tried to act like it was a normal afternoon. I did some weeding in my mother’s garden. “It’s about time you did some work around here,” she said, “instead of always taking, taking, taking.” And I got my homework done, so I could watch TV: Daniel Boone, then My Three Sons and Bewitched. I stayed up for them all, even though I didn’t follow any of it. My mind kept going back to the old man’s prophesy. I had nightmares where I tore at my covers, which I imagined were flames. I felt the horror of being on fire, skin turning to ash and falling silently in powder off the bone.

I woke up exhausted, wondering if I should fake being sick and stay home. When I’d dressed and straggled into the kitchen for breakfast, my mother told my sisters to take their bowls into the living room.

“Sit down, son,” my father said. My mother wiped her eyes with a tissue; she’d been crying. “We have bad news.”

I sat and they lowered themselves into the chairs on the other side of the table.

“Yesterday, there was an accident,” my mother said. “At the park.”

“We don’t know exactly what happened,” my father said. “But the football got loose, and Tommy chased it over where some leaves were burning, and somehow he got too close to the fire.”

“No, no, no,” I kept repeating.

“He got burned real bad,” my mother said.

“He, um, they had to take his leg,” my father said.

I broke from the table and ran from the house. My mother yelled at me to get back, but for once I didn’t listen. Where was I going? I didn’t know. Just away from his words, ringing in my ears. ”Don’t waste this gift…I had a vision…an angel or Satan himself, I don’t know.” What didn’t he know? Did he know about Tommy? “Tommy Weir gets a track scholarship and runs in the Olympics.” He had to know.

I busted through the Garrison gate and the park seemed to leap back, startled. I ran again, but stopped as pale lightning rippled the sky. No thunder. Just one eerie flash after another. Now I felt alone and exposed, naked in my shame. I wanted to run again, but felt guilty for being able to.

“Are you happy now?” I screamed as I pounded the turf pulling tufts of grass up in tight fists. “Did you get what you wanted? Come out and show me!”

I wandered the park, crying and trying to pray, which I knew I had no right to do. The peglegged man, who was me, had bargained with the devil. Not ‘cause of a bad break, but ‘cause of some bad seed planted in him before it even happened. The seed that was growing in me. I felt it wriggling inside now. Tommy and his bat. “Swift,” Billy said. But not me. I was choking, as I cried, like vomiting up poison. 

So, I just wandered the park. I found myself down by the running track, which seemed off somehow in the morning light. Sun burned off dew so the scene rippled. Some early morning joggers were finishing their laps. I leaned on the fence and saw something odd; a silver-haired man was running on what looked like a curved ski that hooked up to his knee. He was missing the lower part of his leg. But he ran with even strides at a strong pace. He sprinted the last length of the oval, then broke stride and wound down. He trotted, then walked, then left the track for a gym bag in the center of the oval.

I hopped the fence and walked towards him, where he sat, removing the curved appendage and replacing it with a metal post, like a mechanical leg. He caught me staring and smiled.

“Freaky, huh?” he chuckled.

“I’ve never seen a leg like that.”

“It’s a new kind of prosthesis. It looks all sci-fi, but it feels natural. Gives the way a real ankle would.”

“How long…?”

“Have I used the blade, or since I lost my leg? I think I was your age.”

He strapped on the metal leg, and I noticed there were etchings on either side. Lightning bolts running up either side of the shin.

“Like that design? Friend on mine did that on the first leg I had. It was wood and he burned it right in. He was the artist of my class. I’ve had the same image printed on every leg since.”

“What happened to him? Your friend?”

The man shrugged. “We lost touch. He could be doing anything. He was smart and talented. Just needed to believe more in himself.”

The man pulled a warmup suit over both legs and rolled up to a standing position. He shouldered his bag and set his eyes toward the parking lot. “Nice meeting you,” he said, and waved casually as he walked away.

“Nice meeting you, too, Tommy,” I whispered. As he evaporated with the morning dew, I was determined not waste this gift.

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Why I left New Jersey

A Blue State refugee explains his exodus.

The short answer is I never wanted to live there. I was perfectly happy toddling around the Notre Dame campus, feeding the ducks, and watching the marching band rehearse. But Daddio couldn’t live the post-bach life forever, especially with a wife and four kids with one more on the way. So, PhD still pending (and it would pend until maybe a week before the statute of limitations ran out), he took a job at his alma mater, St. Peter’s College in Jersey City, and moved us all—Big Sis, me, twin sissies and Mom-with-bun-in-oven—to Bayonne, New Jersey.

I grew to love Bayonne, despite living for a time across from an oil refinery which seemed to catch fire every other Thursday. Bayonne was where I became a Cub Scout, altar boy, scholarship artist, Little Leaguer, Tenderfoot, and smart Alec. It’s where I almost fainted over Laura, hyperventilated over Linda, and nearly passed out when Pamela touched my arm. It remains today what I think of whenever anyone mentions hometowns. In sixth grade, I adapted to Jersey City, as our tribe moved out of our three-bedroom flat and into the ten-room house our family of eight required. Jersey City was not as tight a fit, and what I loved most was its proximity to New York City, where I went to high school, Mets games, Broadway shows, movies shown in actual movie palaces, Central Park, rock concerts and various Blarney Stones.

vehicles on road between high rise buildings
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If I can make a crude analogy, which rubs against my Catholic morals, New Jersey was my dowdy wife, but New York was my sexy side-chick. Yet, when I was a struggling actor in my twenties, living in New York City was not economically feasible. Even though I was in The City virtually every day, working, going to acting and dance classes, and taking voice lessons, I opted for an onerous commute and free rent in Jersey, rather than convenience and indenture to a greedy landlord in NYC. Either way, I probably would have come to the same conclusion in late 1988: it was time to get out.

I was exhausted, and pre-Giuliani NYC was a cesspool. It was grimy, violent, and everywhere smelt like piss. Just to buy a newspaper, you had to do an Olympic triple jump over a trio of snoozing drug addicts. So, I went to California. San Francisco. In retrospect again, my entertainment career ambitions would have been better served in LA, but I couldn’t face another urban monster, and in those days, San Francisco was regarded as a very livable city, despite its high cost.

golden gate bridge san francisco california
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So, long story short, I spent 16 years in San Francisco before finally heading to LA, where I lived for five bi-polar years. They were the best of times and the worst of times, to steal a phrase. I never would have gone back to New Jersey, except that my Dad came down with prostate cancer. He made light of it, as was his way, but when I learned the true state of his health, there was no decision to be made. I jumped back across the continent, and together we fought the good fight for twenty-odd months. Then, as I was back in LA reacquainting myself with friends, he gave me the Irish goodbye, which I didn’t even know was a thing, until he pulled it. Alas, by that time—2012—I had a fulltime job in New Jersey, and there were no jobs in LA, so I stayed put, determined to bloom where I was planted.

But even as I opened an occasional blossom for the pollinators to tickle, I never felt like I was putting down roots. Nine years passed, and outside of a handful of friends, there was nothing keeping me in New Jersey. I needed a change. Then, the world changed, and I was in a place where I definitely did not belong.

The following is a short list of irreconcilable differences I had with the People’s Republic of New Jersey, which compelled the great divorce.

photo of man holidng a handgun
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My Second Amendment rights.

Yeah, it’s always good to lead with a joke. But New Jersey and New York City were becoming ever more dangerous in the wake of the BLM riots of 2020, and I was getting too old to either run or fight. Still, I couldn’t get a concealed carry permit, because I was not highly connected within the Democrat Party. The corrupt usurpation of my God-given right to defend myself from dangerous criminals was galling.

New York’s descent into madness.

I rode the NYC subways every day to school in the late 1970s. I was working in NYC when Bernard Goetz went from bespectacled nerd to dead-eyed Bronson. “You seem to be doing alright, here’s another” was the new “Make my day.” I knew the morass to which NYC had descended, from which no chorus line of celebrities singing “I Love New York” would ever rescue it. Help came in the form of an ex-federal prosecutor who knew that a zero-tolerance policy towards small crimes was the only way to prevent bigger crimes. I left before Giuliani performed his miracle, but subsequent visits opened my mind to the possibility of returning one day.

sign with direction of metro station
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Then those morons elected a Communist mayor and all the hard-won progress of the 1990s and the stability of three subsequent Bloomberg terms were tossed into the dumpster and lit on fire. In the summer of 2020, BLM burned several neighborhoods, cops were assassinated, statues torn down and defaced, and lunatics were permitted to defecate on the sidewalk. All signs of progress from the progressive De Blasio administration. The BLM frauds ratcheted up the cop hate, and officers left the force in droves. Not only did this open the door for purse-snatchers and muggers; it couldn’t help but compromise NYPD’s antiterrorist work. The Big Apple was now a big palooka, punch-drunk, who’d dropped his hands, exposing his glass jaw. How long before the knockout blow?

people on street near building with inscription black lives matter
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Then Covid hit, and the Communist mayor was in his glory. He shut down the city that never sleeps, because that’s what moral and intellectual weaklings, drunk on power, do. And that city, the one Humphrey Bogart famously advised Nazis against invading, for their own sake, the one famous for toughness and resilience and moxy and grit, totally caved. De Blasio even shut down Broadway, and the actors’ union, which is supposed to protect the working rights of performers, totally collaborated. Because Communism is thicker than members’ livelihoods. “You vill do as the Party says, or you vill never work again!”

But, in fairness to the union hacks, the theatre rank and file was already slitting its own throat with woke nonsense and “equity” demands that would put race, gender, sexual orientation and gender delusion issues above any dramatic considerations, thereby ensuring that the only plays to be produced would be ones that absolutely no audience wanted to see.

As I watched NYC circle the drain, it occurred to me that this was, at best, a 20-year cycle. The city that I’d loved in my teens, had grown exhausted with in my 20s, and rediscovered in my 50s, would not be livable again in my lifetime. Why stick around?

Governor Phil Murphy.

Throughout the United States there were many awful governors. The sneering, entitled Abortion Barbie North in Michigan, the hideous and abusive Luv Guv of New York, the unctuous Getty dynasty darling in California, and the soft-on-crime-and-around-the-waistline Hyatt heir in Illinois. But when it comes to gleefully abusing decent, taxpaying citizens, no one comes close to New Jersey’s own Houndtooth Murphy.

Despite being very stupid, totally inarticulate, uncharismatic, not the least bit personable, and very hard to look at, Houndtooth somehow got himself elected governor, probably because he fit the vision for the Democratic machine:  a corporatist determined to crush the middle class, thus clearing the field for oligarchs bent on monopolizing the economy, whose political power would be propped up perennially by teeming masses of the impoverished, desperately dependent on government handouts.  In other words, a rich Communist who is too stupid to even know he’s a Communist.

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Early in his tenure, it became clear that Houndtooth was also a despicable, sexist tightwad. The New York Post reported that a professional women’s soccer team co-owned by Murphy could not sign draft picks because of “deplorable housing and training facility conditions” imposed on the team. These allegedly included “showerless locker rooms, run-down lodging and pervy landlords.” Murphy’s team was later implicated in a visa fraud scandal, because, y’know, we need immigrants to do the jobs Americans won’t do. Like put up with Phil Murphy.

Then came Covid, which objectively was a threat to aged, obese, immune-compromised and Vitamin D deficient people, and a big yawn for almost everyone else. But the ruling class needed it to be more than that. They needed it to be an existential threat that would convince the objectively unthreatened to surrender their civil rights. To build a habit of surrendering civil rights that would pave the way for total statism. Plus, they needed to make a buck or hundred billion off of it.

serious girl in protective mask holding plush toy in mask and showing palm against steps
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Houndtooth was absolutely ecstatic! Imagine a Stalin-wannabe handed the perfect excuse to implement his five-year plan and crush his political opponents in the process! Houndtooth was giddy, as he shoved Covid patients into nursing homes—seizing the opportunity to kill off those useless drains on healthcare resources—and shut down every small business that generated revenue for the independent middle class. Houndtooth even shut down state parks. Of course, here he was just following the science, right? Because sunshine and exercise would certainly deplete the public’s immune systems and put them in greater danger of serious infection.

Throughout Covid, Houndtooth insisted he was doing what was necessary to keep the public safe. Y’know, like Stalin in 1932 kept those starving Ukrainians safe from all that grain in the storage bins. His intention was clear. Houndtooth wanted to destroy New Jersey small businesses so his corporate cronies could sweep in. His vision of New Jersey is one where all commerce goes through Amazon, every pub is a Buffalo Wild Wings, and every pizza parlor is a Little Caesar’s. Corporate oligarchs and their elected stooges rule the leaden-eyed masses, whose quality of life is finally equal, if only in misery.

One casualty of Houndtooth’s vindictiveness struck close to my heart. For nine years I belonged to a dance studio in Westfield. In fact, I was their first Prom King! When Covid struck, Houndtooth shut them down, and kept them shut despite mounting evidence the virus did not live long on surfaces or pass from asymptomatic carriers. Houndtooth was doing the bidding of the vaccine manufacturers who stood to make billions. They needed their cronies in government to add coercion on top of the already pervasive fear to persuade the credulous masses to accept an experimental serum, which was really truly totally safe, even though animal testing for it had been cancelled when all the subjects died. Thus, Houndtooth kept his boot on the throat of New Jersey businesses, y’know, ‘cause he cares, and as he told Tucker Carlson, even thinking about the U.S. Constitution was above his pay grade.

Who knows how many small businesses went bankrupt as a result? How many hung up signs saying, “Killed by Covid,” when they should have written, “Killed by Murphy’s Egomaniacal Lust for Power”? I know that the Westfield Ballroom no longer exists. Its proprietors are living in North Carolina and teaching private lessons virtually. But the watering hole that brought dozens of people from different backgrounds and age groups together for an hour or three a few times a week is gone. One less opportunity for friendly interaction with your neighbors, one less thread in the tapestry of community.

You can call it collateral damage, but it’s a necessary step towards totalitarian control, which is what Houndtooth and his ilk desire. I studied Hannah Arendt in high school, and remember her chilling description of the “atomization of the masses” in totalitarian society. People compressed one on top of another, but still feeling desperately alone. This is the end Houndtooth et al. are seeking, when they destroy those charming, distinctive small businesses that form the hubs of your communities. Clearly it was intentional; it was the cornerstone of his reelection campaign.

new born baby
Photo by Vidal Balielo Jr. on Pexels.com

In his TV spots, Houndtooth recited his supposed successes and brazenly declared, “We’re not going back.” He was promising to kill more small businesses, to eradicate any remaining civil liberties, to stamp out any unique and inspiriting aspect of life that had not been vetted in a corporate boardroom. “You seem to be doing alright, here’s another.” And he promised to fund Planned Parenthood to the hilt. No surprise, because if his plan is to reduce half the state to abject poverty, he’d rather kill their kids than pay welfare to support them.

person in black leather boots sitting on brown cardboard boxes
Photo by cottonbro on Pexels.com

When the machine reelected this soulless tool of all things evil, I knew I only had a few months to get out. I was not going to enter 2022 paying taxes to my oppressors. At least not on the state level. And I wasn’t going to put my tax dollars into Houndtooth’s baby-killing war chest.

Now, they say buying a house online in a city and state you’ve never been to is a risky proposition. But they also say that fortune favors the bold. I decided to leave a place held captive by an evil regime, and I haven’t regretted it for a nanosecond. Yes, I miss my friends. But I was missing them already, because Houndtooth and De Blasio had destroyed the businesses that had bonded us in community. My choice was to keep being miserable as a captive of a Communist state or take the chance that something better might lie elsewhere.

Today I am elsewhere, and feel reasonably free.

Kevin Rush is the author of three Catholic novels, The Wedding Routine, The Lance and the Veil, and Earthquake Weather.

Links in this column might be affiliate links. When you click on an affiliate link and make a purchase, the website receives a small commission, at no additional charge to you. These commissions help support our work on the website. Thank you.

Say Goodbye to “William Wants a Doll,” and Prep Your Effete Son for Surgery.

Lefties Pushing Sex Reassignment for Kids Are Betraying the Lefties Who Worked to Break Down Traditional Gender Roles.

The recent torrent of gender-fluid nonsense has provoked all sorts of emotions within me, mostly negative. But the bright light among those stirred feelings was a vague nostalgia for Marlo Thomas. For decades she’s been the face of one of my favorite charities, St. Jude’s Children’s Research Hospital, founded by her father in 1962. But almost fifty years ago, the erstwhile That Girl poured her heart into a television special entitled, Free to Be, You and Me. The program aimed at breaking down the rigid gender roles that marginalized kids who didn’t neatly fit the mold, including so-called “sissy” boys and “tomboy” girls. The program urged its audience to accept the individuality and non-conformity of unconventional children who had their own gifts. It also scolded upstart children for entitled brattiness. How times have changed. A new generation of Liberal activists are now isolating the children Thomas celebrated, declaring them unfree to be, until they subject themselves to puberty blockers, chemical castration, and ultimately the mutilation of their sex organs. If “William Wants a Doll,” he must surrender his penis.

Now, I confess I’m not the biggest fan of effeminacy in men. But neither would I savor a hunting trip with George Patton and Omar Bradley. I recognize that humanity exists on a spectrum; the leadership qualities that drive a charismatic Alpha male often come with an overload of machismo I find grating in large doses, and the artistic gifts I admire in male artists often come with a touch of the fay. So be it. As long as effete men are not constantly agitating and injecting deviant sex into every situation, I’m not going to get my hackles up. I’m certainly not going to suggest they cut their peckers off and go pee in the ladies’ room. Yet, that’s what the modern Left demands.

That Leftist activists are crueler to their own than any conservative would dream of being should surprise no one. The Left always eats itself. Whether it’s environmental extremists putting union laborers out of work, uber-rich corporatists colluding to suppress wages and otherwise creating conditions that prevent the working poor from entering the middle class, or BLM activists burning down Black-owned businesses, the clients of the Democrat Party are always at odds. What unites Leftists is an abiding disdain for America and their conviction that they are better, smarter and more forward-looking than their benighted political opponents, who are captive to ancient superstition epitomized by The Ten Commandments and The Golden Rule.

That Leftists always turn on each other is a principle I learned in high school, studying Hannah Arendt’s treatise on totalitarianism. As Ms. Arendt explains it, totalitarian systems, whether they be Fascist, Communist, Googlist, NOWist, BLMist, or just College Democrats, rely on access to large numbers of expendable people. This is because the totalitarian system, to survive, must expand to capture more adherents and purge to demand rigid ideological conformity. Most people are expendable within totalitarianism, in that the system either absorbs them, thus stripping them of all individuality, or murders them to instill fear in everyone else, to solidify the total control the system seeks.

American Leftism is no different. It is driven to expand, since that is the only way to attain power in a democratic republic, and it demands ideological conformity through badgering, bullying and puerile name-calling. This is the basis for cancel culture, which, as anyone who has read the founding documents of the United States knows, is antithetical to American principles.

Perhaps the most aggressive and vicious segment of the American Left are its “trans” activists. These lunatics pretend to believe a litany of unbelievables, and seek to cancel anyone who tosses a nugget of reason their way. They respond to reason, as well as fourth grade science, much the way Christopher Lee overacts within gaping range of a crucifix. They have no rational basis for their beliefs, only intense feelings about the matter, which must be right, because they are theirs.

All of which would be well and good, if they weren’t preying on children. Imagine the level of depravity one must reach to decide that a child, in the throes of some whimsical fancy of being the other sex, needs to be hustled into a medical program that culminates in the irreversible removal of perfectly healthy organs. This is sadistic quackery from which Josef Mengele would avert his eyes.

There is a condition analogous to what the trans crowd is pushing, called Body Integrity Identity Disorder. With BIID, the sufferer believes he or she should be an amputee. It feels unnatural to have all their limbs or digits. Feeling anguish over their body integrity, they might request that a surgeon remove a hand, arm, foot or leg. Naturally, the surgeon recognizes this request as disordered, and knows the BIID sufferer is mentally ill. Yet, when the request is to have perfectly healthy breasts removed, as happened to the former Ellen Page, there are plenty of sadistic nuts, scalpels in hand, ready to assist with the “transition.” “Transition to what?” the sane mind asks, knowing that lopping off sex organs does not change a person’s sex any more than lopping off freckles changes their nationality. Ellen Page did not become a man by having her breasts removed, she became a mutilated woman, and no name change can disguise that fact.

When I was three, I wanted a doll carriage. My mother was pregnant with twins, so I had babies on my mind. My older sister had our mom’s stroller and pushed a doll around in it, and I wanted to give that a try. For some reason, my mother had another stroller, and she gave it to me with a doll to push around the apartment complex. I did that for about a half an hour, and then went back to playing with my trucks. Imagine if this had happened today and my mother was not a hard-boiled dame from Bushwick, Brooklyn, but a virtue-signaling, chardonnay sipping, avocado toast nibbling Liberal from Brentwood. My heart aches for all the perfectly normal kids who can no longer safely go through the many phases of childhood that children have always gone through, because maniacal vultures are ready to swoop down upon them, to sacrifice them body and soul to the god of this week’s agenda.

For five seasons, Marlo Thomas starred as aspiring actress Ann Marie in the hit sitcom.

And that brings me back to Marlo Thomas. She was a trailblazer, and in helping to break down rigid gender stereotypes, she delivered on the promise of “free to be, you and me.” But the push from today’s Left to gender-transition kids is the exact opposite. By hustling youngsters into medical and surgical processes that falsely promise to change their sex, trans activists are reinstating the rigid gender roles of old. Feminine boys? Impossible, they must be girls trapped in a male shell. Butch girls? They must be testosterone starved boys. It’s all utter nonsense, and of course, the proposed remedy is no remedy at all, as shown by the sky-high suicide rates of post-transition “transpeople.”

As a sensible liberal, back when that was possible, Marlo Thomas knew that even though “girls can be anything” and “boys can be anything,” there are limits. And that’s okay, because it’s kind of special that “Mommies can’t be Daddies” and “Daddies can’t be Mommies.” Today she would be pilloried for promoting that reasonable and self-evident notion. That axiom of biology and social order, which has stood unquestioned for 10,000 years of human civilization, is now “transphobic,” “hateful,” and “violent,” because a group of Leftist lunatics declared it so nine minutes ago.

Yet, what is truly hateful and violent is the Leftist transactivist prescription for feminine boys and masculine girls: rip out their genitals. I’m very glad I grew up in a time when we were free to be, you and me. For the sake of today’s children, I hope we get back there soon.

Kevin Rush is the author of three Catholic novels, The Lance and the Veil, The Wedding Routine, and Earthquake Weather.

Some of the links in this column may be affiliate links. When you click on an affiliate link and make a purchase, the website receives a small commission, at no extra charge to you. Thank you for supporting this website.

Pushing Back Against the Ipsoverbophobia of the Left

“How strangely will the tools of a tyrant pervert the plain meaning of words.”

Samule Adams

We are all accustomed to the way Liberals manipulate language so that they can dictate the terms of debate. It’s not abortion; it’s choice or reproductive freedom. It’s not the destruction of marriage; it’s marriage equality. Homophobia. Transphobia. All phrases designed to talk about something other than what is at issue and to brand anyone who disagrees with them a moral reprobate. The Left’s refusal to use words with clear meanings, so a debate can be had on actual merits of their positions, was never so fully and ludicrously on display as on July 12, when Senator Josh Hawley of Missouri attempted to extract a straight answer from Berkeley Law Professor Khiara Bridges. Seeking to demystify the professor’s convoluted language, the Senator said, “You’ve referred to ‘people with a capacity for pregnancy’ — would that be women?”

close up shot of a statue
Sam Adams scowling at the verbal obfuscation taking place in the US Capitol.

The professor then gave a recitation of all the people who, in her mind, are not women, who nevertheless have the capacity for pregnancy. It is worth noting that all the non-women the professor cited are, in fact, women. But before the Senator from the Show Me State could demand empirical evidence of the male pregnancy phenomena now sweeping the blogosphere, but yet to appear in reality, the professor from the erstwhile bastion of free speech attempted to shut him up with the accusation that his line of questioning was “transphobic.” His insistence on calling women “women” would incite violence against transpeople, though the only type of violence she mentioned was self-harm. Apparently, the Senator’s denial that transpeople exists would prompt them to commit suicide, thereby proving his alleged point, in rather macabre fashion. My sainted mother would have called that, “Cutting off your nose to spite your face.” (It’s also worth noting that as I’m typing, Microsoft Word, whose Editor function routinely lectures me about using more inclusive language, is putting a red line under transpeople. So maybe the professor needs to sit down with Satya Nadella.)

Fast-forward a few days and the Internet is bursting with commentary about how the Professor of Doublespeak schooled the Neanderthal Republican for his crude and cruel attempt to cancel transpeople. (Oops, another red line.) It seems that all the best people are using the phrase “people with the capacity for pregnancy” this summer, and only the riffraff are insisting on biology. If only there was a turn of phrase the good Senator could have used to counter the charge of transphobia. Not to refute, but simply to deflect, as the Left does. A dodge and a turning of the tables. After wracking my brain, I think I’ve found (coined) the perfect word: ipsoverbophobia. I like that it has a –phobia at the end, because that automatically proves the targeted person is irrational.

So, let’s replay the hearing, picking up where the professor said, “I would like to note that your questions are transphobic..”

But this time, Senator Hawley cuts her off with, “And I’d like to note that your responses are ipsoverbophobic. You clearly have an irrational fear of the plain meaning of words. You should be aware that failing to honor the plain meaning of words does violence to language. Your responses are thus violent and encourage violence. You are stripping words of their meaning, thereby impoverishing language. By eradicating all meaning and sense, you commit verbocide and encourage linguacide. In your ispsoverbophobia, you seek to impose new meanings on commonly used words and phrases, which can only be described as conquest and colonization of language. You are imposing slavery, as you make words carry the meaning you want, rather than their indigenous meanings. Eventually, words that have enjoyed long and fruitful lives, prospering in discourse for centuries, might suddenly disappear from the dictionary altogether, replaced by nonsense terms, which mean only what an individual speaker intends, not what an audience of listeners can comprehend. Ultimately, when language is totally void of meaning, the only form of communication will be blunt force. Thus, your ipsoverbophobia is not only neurotic and ignorant, but dangerous, because when you do violence to language, you do violence to humanity. When language has no meaning, when verbal communication is futile, the only way to make a point is with a smack upside the head. Thus, every marital spat becomes an opportunity for domestic violence. That you could encourage a such a transition from spoken communication to brute force in the nuclear age is unconscionable, and shows your intent to hasten the destruction of the human race.”

The beauty of ispoverbophobia is that it has unlimited uses. Every time The Left comes up with a new convoluted phrase, and disseminates it through their talking points network to get the whole choir singing in unison, all we have to do is respond with “You’re being ispoverbophobic!”

We can even start 501(c)3s to stamp out ipsoverbophobia wherever we find it. Restore the language and we restore the debate. Restore the debate, and the side with the best ideas wins.

Kevin Rush is the author of the screwball romantic comedy, The Wedding Routine, which Online Book Club calls  an “amazing book” with “dynamic characters” who “produce nothing but comic gold.”

Some of the links in this column may be affiliate links. When you click on an affiliate link and make a purchase, the website earns a small commission at no extra charge to you. These commissions help to support the website, so we thank you.

Why I Have Not Been Blogging

It’s been many months since I’ve blogged on this space, so an explanation is in order. The short of it is, I moved. And the home I bought needed—and continues to need—a lot of work. Some of that work I contracted and some I’ve been doing myself. Making my new home livable has placed demands on my time, as have all the other changes that come with settling into a new community. But the lion’s share of the work is done, and I can continue at a moderate pace with what remains. That will allow me to get back to my routine, so I hope to be posting more regularly here. But first, let me catch you up on things in Rushworld.

The author outside his new home.
  • I’m now officially a Yankee carpetbagger, having left the People’s Republic of New Jersey for a Free State in the southeast.
  • My mortgage payment for a three-bedroom house on .4 acres of land is less than the rent for my dingey studio apartment in New Jersey.
  • An electrician discovered bats in my attic, so I took the necessary steps to evict them, tacking up steel mesh over the eave vents and placing a bat-cone there for them to exit. I don’t know if they’re gone, or if I inadvertently sealed them inside. I’m afraid to go up in the attic.
  • I painted my living room, hallway, guest room and office, an experience which has thoroughly convinced me that I hate to paint.
  • I bought a piano, a fabulous Charles R. Walter upright with a beautiful walnut finish. I’ve had five lessons, and am coming along nicely.
  • I invited the pastor of my new parish to perform a house blessing. Afterwards, I treated him and four guests to a sumptuous four-course dinner. Then we opened up for the neighbors to drop by.
  • My backyard has an enormous oak tree, which is home to various species of birds. I enjoy watching them fly around.
  • I got a phone app for identifying the plants growing in my yard. Virtually every one is a “highly invasive weed, very difficult to eradicate.”
  • I have not gotten a dog.

Finally, The Wedding Routine continues to be a hit with readers. Here’s an excerpt from a Four Star Out of Four Review that appeared at Online Book Club:

How will Celia manage her struggling business, her difficult relationship with her business partner, and the prospect of new love? Find out in this amazing book.

There are a lot of positives in this book. The book has a lot of dynamic characters, from the exotic heartthrob that is Janos to the lovable nerd that is Rupert and the wise yet savage Father Burke; each character is so distinct, yet their interactions with Celia produce nothing but comic gold. Also, I love the balance of romance to comedy in the book. It is not so romantic that it makes you cringe and, at the same time, not so humorous that it loses substance. I also love the author’s use of imagery, particularly in parts where Celia narrates the terrible dancing she is witnessing; it makes for a hilarious experience.

If you haven’t gotten your copy of The Wedding Routine yet, I suggest you drop everything and place your order. Kevy’s got a mortgage to pay.

Some of the links in this column may be affiliate links. When you click on an affiliate link and make a purchase, the website receives a small commission at no extra cost to you. Commissions help support the website and future writing. Thanks.

The Wedding Routine Garners Five-Star Amazon Reader Review

For independent authors, reader reviews are our lifeblood. Unfortunately, not many readers know this. I’ve had readers compliment my work sumptuously, but when I look on Amazon or Goodreads for a review, nothing! This dilemma forces us to take extreme measures, such as giving away 100 free copies through a Goodreads Giveaway in hopes that some percentage of those folks will read the book AND leave us a review (but only if they like it!). Since we launched The Wedding Routine in late November, and the holidays kept people very busy, now’s the time we’d expect reader reviews to come trickling in.

So, here’s our first Amazon Review, given Five Stars!

Delightful and satisfying comedy-romance

“Loved the pace and the immediacy of this relatable story. If you are a fan of screwball comedies with clever repartee, this novel is for you. Author Kevin Rush used dance sequences to good effect to reveal relationships between the characters. Vivid, well-crafted story-telling.”

Thank you, “Pomegranate,” whoever you are, and thanks to all who purchased and are currently enjoying The Wedding Routine. We hope to see your reviews soon. If you haven’t gotten your copy yet, you can order by clicking the image below.

P.S. Sadly, another reason we need honest, favorable reviews is to counteract the effects of malicious reviews that bad actors post for their personal or political reasons. We all understand how cancel culture works. Some lunatic decides that your personal, political, or religious beliefs disqualify you from living peaceably in society, and they take it upon themselves to destroy your career. I’ve had malicious reviews posted on Goodreads and Amazon by people who seem to have opened their account simply to slam my book, which they obviously didn’t read. I’ve also had people list complaints about a book that had no bearing on what I had written, and must have been meant for some other book. It’s all but impossible to correct these matters, so we rely on our honest readers to restore balance. Thanks for understanding.

Disclaimer: Links in this column may be affiliate links. When you click on an affiliate link and make a purchase, this website receives a small commission at no additional cost to you. Thank you for your support.

Author Kevin Rush Talks ‘Subpopcult’ with Screenwriter Michael McGruther

Podcast discussion covers writers’ inspiration from Swing dancing to Catholicism.

I recently sat down with my friend Michael McGruther for a wide-ranging discussion on his Sub Pop Cult podcast, to be released Friday December 10. This wasn’t just a courtesy visit to plug my new book, The Wedding Routine. We talked in-depth about the many challenges facing independent creators who’ve chosen to work outside the corrupting restraints of conventional Hollywood.

Sub Pop Cult is a weekly one-hour podcast that examines how pop culture storytelling and political narrative merge to produce the political results desired by those already in power. Featuring interviews with indie artists of all stripes, Sub Pop Cult leads the way in restoring culture from the bottom up by bringing attention to truly independent culture creators. The creator and host of Sub Pop Cult, Michael McGruther is best known as the screenwriter of Tigerland (2000) starring Colin Farrell, and the author of the science fiction thriller Crisis Moon. But he is passionate about supporting a grass roots movement of independent artists telling the stories that don’t fit the narrow rut of the Hollywood-Industrial complex.

Michael and I met in Los Angeles, roughly 15 years ago, as part of a nascent Conservative movement that unfortunately, never crawled out of its cradle. Back then I was trying to sell a screenplay, which I eventually turned into the novel, The Lance and the Veil, an adventure in the time of Christ. Naturally, since Mike is a fellow Catholic, we touched on that project and my first book, Earthquake Weather, a novel for Catholic teens, which grew out of my experiences as a parochial school teacher.

Mike and I draw heavily on our Catholic faith for inspiration and guidance, and we share a determination to carve out a niche where virtuous storytelling can thrive. If you’re interested in our talk, you can find the Sub Pop Cult podcast with Michael McGruther at the Apple Store.

Goodreads Book Giveaway

The Wedding Routine by Kevin Rush

The Wedding Routine

by Kevin Rush

Giveaway ends December 20, 2021.

See the giveaway details at Goodreads.

Enter Giveaway

Disclaimer: Links in this column may be affiliate links. When you click on an affiliate link and make a purchase, the website receives a small commission at no extra charge to you. These commissions help to support the website and my independent writing. Thank you.

Is Die Hard a Christmas Movie? Maybe, Virginia, It Might Be.

The final analysis of a holiday classic

There’s a scene in my romantic comedy novella, The Wedding Routine, where the good Fr. Burke tells his niece, Celia, “Your mother invited me for dinner and a Christmas movie. I lost the coin toss and had to watch Going My Way.”

“What did you want?” Celia asks.

Die Hard,” the priest responds, tossing in a “Yippee-ki-yay!”

While the exchange might earn an “Amen, brother,” from a large swath of the male population, rebelling against their significant other’s binge of Hallmark pablum, it’s likely to scandalize holiday purists, who insist on gentler fare. The purists naturally expect any priest worth his collar to stand athwart the inclusion of a mayhem-rich shoot ‘em up in the Yuletide viewing canon. Of course, the question of whether Die Hard is a Christmas movie is not as cut and dried as the pine clippings its stalwart opponents weave into seasonal wreaths. The question has divided households across the country ever since Bruce Willis exploded on the scene as John McClane in July 1988.

“Well, see, there you have it,” the naysayers will neigh. “The producers didn’t even think it was a Christmas movie. They released it as a summer blockbuster.” Yet, a cursory look at film history reveals that Miracle on 34th Street was released on June 4, 1946, and It’s a Wonderful Life was released on January 7, 1947. So, release dates are far from definitive. Twentieth Century Fox released Hoffa on December 25, 1992. I doubt they meant it as a stocking stuffer.

“No,” the purists riposte, “what matters is the spirit of the film! Peace on Earth and good will towards men!” I couldn’t agree more, except that the scripture quoted can also be read “Peace on Earth to men of good will.” Men of bad will are asking for retributive justice, and this they shall receive, courtesy of John McClane. In spades. Moreover, peace, considered in isolation, is a bland concept; it only takes on meaning when contrasted with the cruel, violent and chaotic world that exists most of the time. The Christ Child entered a violent world. You’ll recall that one of the Wise Men brought myrrh to the cradle, which is the Biblical era equivalent of bringing embalming fluid to a baby shower. Herod quickly demonstrated this world was not safe for children, and if it had been, the nativity would have had little meaning. And it hasn’t proven ipso facto impossible to tell a Christmas tale with violent elements, as in Rudolph the Red-Nosed Reindeer, where beloved characters face the peril of being eaten alive, and Home Alone, where brutal violence is played for laughs. As an annual feast, Christmas often falls on violent settings, as the brilliant French film Joyeux Noelle demonstrates.

So, why do I think Die Hard might qualify as a Christmas movie? Not because it takes place on Christmas Eve, but because it delivers a Christmas message of reconciliation and restoration. In this film we see how, because of one’s man’s actions, evil is thwarted, lives are saved, and people are made whole again. True, John McClane’s actions are violent, but they are not unchristian. Taking up arms and suffering the rigors of battle in defense of innocent life is an act of Christian charity.

On Christmas Eve, New York City cop John McClane arrives in Los Angeles. He’s a tough-nosed detective who wouldn’t follow his wife out west because he had work to finish in his hometown. He is a public servant who bears the burden of others’ sins to protect his community. His dedication to his work has caused a rift between himself and his wife, Holly, who has chosen to climb the corporate ladder, depicted as a veritable tower of Babel at Nakatomi Plaza. As a reward for her worldly pursuits, she’s given a gold watch as a Christmas present. Yet, Holly’s heart is torn, because she desires a reconciliation with her stubborn husband.

Enter Hans Gruber with his crew of murderous thieves, who have taken the pursuit of worldly wealth to its mortal extreme. Gruber is truly “the prince of this world,” from whom John McClane, the suffering servant, must rescue it. In the Gospel of John, Jesus says, “A thief comes only to steal and kill and destroy. I have come that they may have life, and have it in abundance.” (Jn. 10:10) Such is the contrast in Die Hard between Hans Gruber, the thief, and John McClane, the cop.

Gruber is a proud and haughty evil doer who fittingly meets his end by being cast from his lofty height. Of course, before Hans makes his drop, he threatens to take Holly with him. He’s caught on her shiny, new wrist watch; only when John is able to unlatch the bracelet, breaking Holly’s attachment to worldly wealth, is she saved. Thus, we see play out before our eyes this passage of Mary’s Magnificat from Luke 1: 52: “He has brought down rulers from their thrones, but has lifted up the humble.” At the close of the crisis, John and Holly seem on their way to reconciliation, which is a very Christmassy theme.

We must also consider the plight of Sgt. Al Powell, who becomes John McClane’s partner on the outside. Having accidentally shot a child, Al cannot bring himself to draw his gun. Once a promising young cop, Al retreated behind a desk and now must answer to the ignorant and corrupt men who rose above him. Yet, through the experience he shares with McClane, Al finds the strength of spirit to draw his gun in a righteous moment and terminate a threat to innocent life. If the restoration of a generous and courageous spirit isn’t central to Christmas, what was Dickens thinking when he wrote A Christmas Carole?

Of course, on the other hand, action movies that dress up blood lust in vestments of virtue are doing a bait and switch. They draw the audience in by presenting a dire situation that demands manly valor, then continually up the stakes until you’re rooting for the hero to disembowel the villain and feast on his vital organs. When a film manipulates the audience into demanding a graphic cinematic execution as catharsis, we are now wallowing in that which our spirits had risen to oppose. The spectacle has dehumanized us in a way incongruous to the spirit of Christmas. Thus, after the last body drops, the seasonal music that’s suddenly piped in is not just ironic but jarring. Our nervous giggles, as the ultra-cool Dean Martin invites us to “Let it Snow,” underscore what we know in our hearts: these two hours were not exactly what Christmas is all about. We’ve been indulging a guilty pleasure that could land us on the Naughty List.

Ultimately, given the contrary, yet well-founded arguments, it’s safe to say the debate will rage on. So, if we really want to enjoy Peace on Earth this Christmas, we’ll have to learn to agree to disagree and limit our holiday conversations to safe topics like national politics.

Goodreads Book Giveaway

The Wedding Routine by Kevin Rush

The Wedding Routine

by Kevin Rush

Giveaway ends December 20, 2021.

See the giveaway details at Goodreads.

Enter Giveaway

Disclaimer: Links in this column may be affiliate links. When you click on an affiliate link and make a purchase, the website receives a small commission at no extra charge to you. These commissions help to subsidize the website and support future writing. Thank you.

P.S. If you’re one of the way-too-many people who haven’t scene this Christmas gem, click now, and get it in time for Christmas. You’ll thank me.

If I Saw the Movie, Should I Read the Book? 2 Dystopian Futures

P.D. James emasculates a planet in Children of Men; Cormac McCarthy seeks salvation on The Road. By Kevin Rush

Released in 2006, but set in 2027, Alfonso Cuarón’s dystopian thriller, Children of Men is frenetic and at times intense, though ultimately incoherent and unfocused. In a near future where all women have become infertile, a disenchanted bureaucrat or journalist—it’s not clear—falls in with a band of violent extremists who needs his help to smuggle out of the country the first woman to become pregnant in a quarter century.

I saw this film when it first came out and didn’t much care for it. Cuarón was too busy weaving in themes of the Iraq War to focus on the central premise of the film: How would the world react to a global crisis of infertility? The fact that the human race is headed for extinction is incidental to Cuarón’s film, because, following 21st century trends of globalist adventurism, illegal immigration and terrorist reprisals, we’re going to kill each other anyway. Cuarón was also so seduced by the potential of emerging film technology to drop an audience into the middle of a video game, that he didn’t bother to immerse us in a story. Owen’s central character is mostly a hostage or bystander, dodging whiz-bang effects and only once rising to—not quite heroic, but stealthy—action.

The 1993 novel by British writer P.D. James is much more cerebral and clearly plotted than the film. Set in 2021, (how’s that for dystopian?) the premise remains the same, but the story is focused on the effects of the central phenomenon: infertility. The problem is not that women are barren, but that men cannot produce viable sperm. James’ dystopian future is a world of emasculated men, of which her Theo is emblematic. Though his name means ‘God,’ he is thoroughly impotent. Mourning the tragic loss of a child (an intense event rendered mundane in the film) and a subsequent divorce, Theo occupies a position as a university academic. And as if academics weren’t inconsequential enough, Theo hasn’t any students to teach. Although he’s mostly isolated within his shrinking community, the men around him are similarly useless.

James’ narrative does not match the film’s break-neck pace, as she paints her world in meticulous detail. Yet, that world is capable of erupting in sudden, senseless and brutal violence, even among those who are ostensibly trying to save it. In this way, James’ novel is a study on the consequences of eroding masculinity. Not peace and harmony as the “new man” advocates of the 70s promised, but downward spiraling disorder. This is a lesson for our age, where traditional masculine virtues are disdained, enabling the rise of venal, vain and scheming individuals, who have brought us to our current state of kakistocracy and civil unrest.

Ms. James does not provide an epigram indicating the source of her title. IMDB cites Psalm 90, which reads in pertinent part:

“Thou [God] turnest man to destruction; and sayest, Return, ye children of men.”

James is more than hinting that our straying from the natural order has led us to ruin.

In my search for a possible source of the title, I came across this quotation attributed to Helen Keller, which I also found apropos:

“Security is mostly a superstition. It does not exist in nature, nor do the children of men as a whole experience it. Avoiding danger is no safer in the long run than outright exposure. Life is either a daring adventure, or nothing.”

Seeking illusory safety emasculates men who must strive, even at great risk, to remain vital. A society cheering the bravery of boys who steal track medals from girls needs to be reminded of the necessity of authentic masculinity. Children of Men jogs that memory, and for this I give it a mild nod. It’s thoughtful and creative, though in the final analysis, I think the awesome concept deserves both a better book and a better film.

Similar to Children of Men, The Road begins after an unexplained catastrophe has permanently altered the world. In The Road, we assume a nuclear war scorched the Earth, killing all plant and, eventually, animal life. All that’s left are a handful of human survivors, running short on food and time. In this setting, a terminally ill father takes his young son on a trek down a road towards the sea.

Released in 2009, The Road went nowhere. Despite a strong cast, which included Viggo Mortensen, Charlize Theron, Robert Duvall and Guy Pearce, and bolstered by newcomer Kodi Smit-McPhee, the film suffered from B-movie scripting and pedestrian direction. The script relies on voiceover exposition that reveals the horrors to come, robbing us of the surprises that were so devastating in the book. John Hillcoat, an Australian director mostly known for pop music videos, just doesn’t seem to have been up to the subject matter. I’d say he was painting by numbers, but like a child’s watercolor, all tones merged into a dull grey. His defenders might say that’s the world he was required to depict. Fair enough. Yet Cormac McCarthy depicts that world vibrantly and urgently in his novel, and Hillcoat was not able to transfer those emotions to film.

So, here’s where I confess I read the book before I saw the film. And I’m glad I did. Because, while the movie is not bad, the book is a masterpiece of American literature. Not that I thought it would be. When the book first came out, I passed on it, wondering why someone of McCarthy’s immense talent would care to revisit a tired scenario of the 1950s and 60s. But The Road is not a retread of On the Beach or Cat’s Cradle. It is a unique tale of a father’s love for his son, and his determination to protect him from rampant evil, preserve his innocence, and provide him a dignified life even among the ashes of civilization.

McCarthy’s book, which has been hailed as a great Catholic novel, brilliantly depicts the salvific purpose of remaining virtuous in a realm where evil is more seemingly advantageous. And unlike Hillcoat’s frontloaded film, McCarthy lets no detail of his world drop until the precise moment when it will have its most devastating emotional effect. The Road is a great story greatly told. These days, many people joke about hoping for the sweet meteor of death to snuff out what’s become of our world. The Road teaches us to be careful what we wish for, but also to make the most of it.

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Kevin Rush is the author of The Lance and the Veil, an adventure in the time of Christ, and Earthquake Weather, a novel for Catholic teens. He drew on his love of classic films and his years of experience studying Ballroom, Swing, Hustle, and Latin Rhythm dancing to write an engaging romance in the spirit of an old Bing Crosby Christmas movie. If you don’t want to wait for the chance of an e-book, the paperback version is available now. Just click the image below.

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